- Läublin II., Hans Jacob [Jakob]
- Murer, Josias
- Ammann, Johann Conrad
- Ammann, Hans Heinrich
- Ammann, Christoph
- Amsler, Richard
- Asper, Hans
- Beham, Bartel
- Bluntschli, Niklaus
- Bosshard und Sohn, -
- Brun, Lienhard
- Cranach der Ältere, Lucas
- Erhart, Gregor
- Eriskirch, Meister von
- Erlinger, Georg
- Fischart, Johann
- Frischlin, Nicodemus
- Hans Conrad, Flach
- Holbein, Ambrosius
- Holtzwart, Matthäus
- Howes, John
- Hurter, Johann Heinrich
- Häfelin, Emil
- Hünerwadel, Jérôme
- Kübler, Werner der Jüngere
- Lang, Hieronymus der Ältere
- Lang, Hans Caspar der Ältere
- Lang, Daniel
- Lindtmayer, Felix der Jüngere
- Lindtmayer, Daniel der Jüngere
- Meyer, Conrad
- Moser, Andreas
- Müller, Theobald
- Oschwald, Hans Georg
- Ott, Hans Georg I.
- Panvinio, Onofrio
- Peyer, Hans
- Peyer, Johann Ludwig
- Peyer, Johann Jakob
- Peyer, Johann Friedrich
- Pfau, Hans Heinrich III.
- Pröll, Thomas
- Reusner, Nikolaus
- Schnetzler, Johann Ulrich
- Schärer, Johann Jacob
- Seiler, Dietegen
- Speissegger, Hans Heinrich
- Spleiss, Hans Martin
- Stalder, Ulrich
- Stimmer, Tobias
- Stimmer, Gideon
- Stimmer, Abel
- Strigel, Bernhard
- Stüdlin, Hans Caspar
- Ulmer, Johann Conrad
- Ulmer, Hans Ulrich
- Umkreis von Stimmer, Tobias
- Unbekannt
- Veith, Johann Martin
- Wüscher, Hans Adam I.
- de Savoye, Daniel
The PTSS collection
This website lists the works of art and objects of the Peyersche Tobias Stimmer-Stiftung (PTSS) of Schaffhausen. Most of the objects listed are on permanent loan to the Museum zu Allerheiligen or the Schaffhausen City Library.
Portrait miniature of Samuel Grynaeus
Abel Stimmer (1542–after 1606) (?), 1569 Metal, Copper, paintedAbel was one of four brothers of Tobias Stimmer and worked part-time in his workshop. The two painted an audience chamber in the palace of the Margrave of Baden-Baden. The attribution of the miniature was based on stylistic comparisons with a portrait of Elisabeth Peyer in the collection of the Kunstmuseum Basel.
Portrait miniature of Elisabeth Peyer, wife of Samuel Grynäus
Abel Stimmer (1542–nach 1606) (?), 1569 Metal, Copper, paintedAbel was one of four brothers of Tobias Stimmer and worked part-time in his workshop. The two painted an audience chamber in the palace of the Margrave of Baden-Baden. The attribution of the miniature was based on stylistic comparisons with a portrait of Elisabeth Peyer in the collection of the Kunstmuseum Basel.el.
Standing dish for Ferdinand Ludwig Peyer-Keller (1814 – 1894)
Bosshard and Son, 1886 Metal, Silver, gilded, engraved, embossedThe Bosshard workshop was in Luzern.
Spanish - covered dish with coat of arms for Peyer with Im Thurn
Hans Conrad Flach (1616–1682), ascribed, 1643 – 1682 (?) Bronze, cast'Snakeskin' beaker, otherwise called a 'Schwitzbecher'
Hans Jacob I. Läublin (about 1634–about 1692) or Hans Jakob II. Läublin (1664–1730), um 4. Viertel 17. Jahrhundert Metal, Silver, embossed, punched, engraved, gildedChalice of father Bernhard Mayr von Baldegg (1687 – 1756)
Hans Jakob II. Läublin (1664–1730), 1711 oder 1727 Silver, gildedGlockenkanne (Swiss Bell Jug)
Andreas Moser (1768–1812), 1790 / 1812 Metal, Tin, cast, engravedSilver beaker (Guild beaker)
Hans Georg Oschwald (1667–1745), 1695 Metal, Silver, gildedBox
Hans Georg I. (zum Otter) Ott (1667–1745), 1694 / 1707 Metal, SilverIn the 18th century, silver boxes were part of elegant toilet sets and were used, among other things, as containers for powder. This piece was purchased for the museum in 1973 as a testament to Schaffhausen's artistic creativity. A pastoral scene with Venus and Adonis is depicted on the lid.
Sugar box
Hans Georg I. (zum Otter) Ott (1667–1745), 1707 / 1734 Metal, SilverPair of Candlesticks
Thomas Pröll (1678–1729), um 1720 Metal, Silver, embossedTeapot with cover and coat of arms of Wessenberg-Ampringen
Hans Heinrich Speissegger (1687–1759), 1734 – 1756 / 18. Jahrhundert / 1760 - 1765 Metal, Silver, fire-gildedBell from Schloss Haslach , donated by Hans Jakob Peyer (d. 1617)
Ulrich Stalder, 1595 Bronze, castDouble drinking cup ( called a 'Doppelscheue') with the coats of arms for Hans Ludwig Peyer - Zollikofer
Hans Ulrich Ulmer (1563–1624), 1608 Silver, gilded, embossedThe gilded silver vessel consists of two cups placed upside down, decorated with views of cities and animals. Double goblets were often made as indicative gifts for brides and grooms. The present example was a wedding present for Hans Ludwig Peyer (1565–1623) and Katharina Zollikofer (1608–1650).
Horseshoe with historical note about the Peyer family on cardboard insert
Hans Peyer (about 1410–1478), um 1450 Pen on card, Iron, forgedThe horseshoe of the founder of the Peyer dynasty, Hans Peyer the Smith, who died in 1478, is regarded as an important family memento . The card on the back carries on it comments about the history of the Peyer family and probably dates from the 17th or 18th century. The object was entrusted to the museum for safekeeping in 2003.
Waffle iron with the coat of arms for Baumann-Peyer
Unknown, 1576 - 1600 IronGorget or Hausse-col
Unknown, 17. Jahrhundert Metal, Copper, gildedThe embossing on the collar shows two winged masks looking down at a battle scene of mounted soldiers. A similar gorget can be found in the famous family portrait of Hans Friedrich Peyer in the Thurn, painted by Conrad Meyer in 1653. It is on display in room 104 of the Museum zu Allerheiligen's permanent exhibition.
Silver filigree pendant with the coat of arms for Ziegler - Peyer
Unknown, 2. Hälfte 17. Jahrhundert Metal, Silver, enamelledWide rimmed pewter dish with Peacock engraving
Hans Adam I. Wüscher (1653–1707), 1670 - 1707 Metal, Tin, engravedWine barrel marking with coat of arms for Peyer mit den Wecken - Forrer
Unknown, um 1707 Wooden, Leather, carvedWine barrel sign with coat of arms for Peyer mit den Wecken - Stokar
Unknown, 1732 Wooden, carvedBooklet: With astronomical and map observations
Georg Erlinger (um 1485–1542), 1516 Fibre, plant, Paper, printedPlan of the Rheinfalls and its surroundings
Johann Ludwig Peyer (1780–1842), 1826 Fibre, plant, Paper, paintedTin-glazed earthenware plate with the coat of arms for Kaspar Peyer zum Saffran
Hans Heinrich III. Pfau (1642–1719), 1688 Ceramic, painted, glazedBismuth chest for Anastasia Peyer (1604 – 1627)
Unknown c.1620+, 1620 Wooden, Leather, Beech wood, paintedProbably for cosmetic use eg eye shadow