Close filter

Presentation: Grid Wallpaper List

Genus

Topic

Artist

The PTSS collection

This website lists the works of art and objects of the Peyersche Tobias Stimmer-Stiftung (PTSS) of Schaffhausen. Most of the objects listed are on permanent loan to the Museum zu Allerheiligen or the Schaffhausen City Library.

Detail view close

Bildnis Judith Peyer (1593-1659) — Portrait of Judith Peyer (1593-1659)
Unbekannt, 1648 Oil on canvas

Geburt Christi — Nativity
Unknown, 2. Hälfte 15. Jahrhundert Oil on wood
The painting was restored 1987-1988

Bildnis Johann Jakob Maurer — Portrait of Johann Jakob Maurer
Unknown/ Jacob Maurer (1737–1780), earlier attribution, um 1770 Oil on wood

Bildnis Hans Kaspar Peyer — Portrait of Hans Kaspar Peyer
Unknown, um 1640 Oil on canvas

Bildnis Heinrich Peyer-von Schmid — Portrait of Heinrich Peyer-von Schmid (1529 – 1574)
Unknown, nach 1574 Oil on canvas
Painting restored by Barbara Bührer, Neuhausen in 2009

Bildnis Johann Jakob Stokar — Portrait of Johann Jakob Stokar (1615 – 1681) at the age of 65
Unknown, nach 1681 Oil on canvas
Painting restored by Barbara Bührer, Neuhausen in 2009

Bildnis Dr. iur. Hans Conrad Peyer — Portrait of Dr. of law Hans Conrad Peyer (1569 – 1623)
Unknown, um 1620 Oil on canvas
This painting was restored in 1955 by Hans Harder, Schaffhausen

Riss für eine Scheibe der Schaffhauser Büchsenschützen — Design sketch for a coat of arms (incomplete) for the Schaffhausen musketeers
Unknown, after Felix Lindtmayer the younger (about 1523/1524–1574), um 1573 Black ink and grey wash

Scheibenriss mit Engel mit Schwert "Psalm XXIII" und vier Posaune blasende Engel, einer mit Wappen Peyer — Design sketch with an angel with a sword "Psalm XXIII" and four angels blowing trombones, one with the Peyer coat of arms
Unknown, 1. Hälfte 17. Jahrhundert Pen and ink

Scheibenrundriss mit Allianzwappen Im Thurn-und Peyer-Peyer mit den Wecken — Design sketch with the coats of arms for Im Thurn-and Peyer-Peyer mit den Wecken
Unknown (German), 1600 - 1650 Pencil, Ink wash on paper

Scheibenriss mit Wappen Oschwald. Peyer mit den Wecken, Ringk v. Wildenberg, Peyer im Hof und zwei weiteren Wappen — Design sketch with arms of Oschwald. Peyer mit den Wecken, Ringk v. Wildenberg, Peyer im Hof and two others
Unknown, 1. Hälfte 19. Jahrhundert Pencil, Ink wash and red ochre on paper

Bannerträger von Schaffhausen — Standard bearer of Schaffhausen
Unknown, 1. Hälfte 17. Jahrhundert Black ink wash

J. Rodolf Schmid (1590–1667). Baron de Schwarzhorn, Ambassadeur de L'Empéreur à la Porte Ottoman — J Rodolf Schmid (1590-1667). Baron de Schwarzhorn, Ambassador de L'Empereur à la Porte Ottoman
Unknown, nach 1667 Paper, Etching

Heiliger Rochus (Vorderseite) — St Roche
Unknown, um 1500 Wooden, assembled

Heiliger Sebastian — St Sebastian
Unknown, um 1500 Wooden, assembled
Stole in 1996 from the Museum zu Allerheiligen Schaffhausen .

Visitatio (Vorderseite) — Visitation
Unknown (Konstanz ?) about 1520, um 1520 Lime wood, coloured, assembled
In the years after the war, the collection of late medieval sacred art was systematically enlarged. The Stimmer Stiftung also contributed to this with the purchase of important works.

This relief by a carver from Constance was acquired in 2012. It was probably once a part of a Marian altarpiece and shows the encounter between Mary, who is pregnant with Jesus, and her cousin Elisabeth, who is expecting John the Baptist.

Willkommscheibe mit unbekanntem Stifterpaar — Welcome panel from an unknown donor couple
Unknown, um 1550 Glass, painted
The donor's inscription is missing at the bottom of the panel. In addition, the glass painting has two small replacements and new leading.

Willkommscheibe Hans Hüsler (Hüster) und Frau — Welcome panel for Hans Hüsler (Hüster) and Frau
Unknown, 1561 Glass, painted
The panel has new leading

Figurenscheibe mit den Allianzwappenscheibe Hans Konrad Peyer im Hof (1538 – 1600) und Margret Rordorf (gest. 1594) — Armorial panel with the coats of arms for Hans Konrad Peyer im Hof (1538 – 1600) and Margret Rordorf (died 1594)
Unknown, 1563 Glass, painted
The panel has been releaded

Standesscheibe Schaffhausen — Armorial panel for Schaffhausen
Unknown, 1567 Glass, painted
The panel has new leading

Stadtscheibe Diessenhofen — Armorial panel for the Town of Diessenhofen
Unknown (Schaffhauser), 1571 Glass, painted
The panel has replacements and new leading

Allianzwappenscheibe Martin Peyer mit den Wecken und Elisabeth Ziegler mit dem Urteil Salomos — Pictorial panel with the coats of arms for Martin Peyer mit den Wecken and Elisabeth Ziegler with the Judgement of Solomon
Unknown, 1573 Glass, painted
The donors of the armorial panel were originally Elisabeth Ziegler (1523-1607) and Martin Peyer (1515-1582).

Allianzwappenscheibe Hans Jakob Hünerwadel (gest. 1598) und Dorothea Schwarz mit der Auferstehung Christi — Roundel with the coats of arms of Hans Jakob Hünerwadel (died 1598) and Dorothea Schwarz with the resurrection of Christ
Unknown, 1587 Glass, painted
The roundel was originally the donation of Hans Jakob Hünerwadel (d. 1598) and Dorothea Schwarz.

Allianzwappenscheibe von Waldteich und Peyer mit den Wecken — Panel with the coats of arms for Waldkirch and Peyer mit den Wecken
Unknown, um 1600 Glass, painted
The upper part of the glass painting probably comes from another panel, the donor's inscription at the base of the panel is missing. In 1983 the object was restored and re-leaded by Fritz Dold, Zurich.

Rundscheibe mit Wappen Oschwald und unbekanntem Wappen — Roundel with the coats of arms for Oschwald and another unknown
Unknown, um 1600 Glass, painted
Das Glasgemälde ist mehrfach geflickt und hat eine neue Verbleiung.

Allianzscheibe Hans Conrad Baldenhofer und Ursula Schalch sowie Zacharias Billing und Maria Hermann mit Darstellung des Sündenfalls — Panel for the marriages of Hans Conrad Baldenhofer and Ursula Schalch and for Zacharias Billing and Maria Hermann depicting the Fall of Man
Unknown, 1603 Glass, painted

Runde Figurenscheibe mit Allianzwappen Dietgen Ring von Wildebern — Roundel with the coats of arms for Dietegen Ringk von Wildenberg (1589 – 1618) and Magdalena Im Thurn
Unknown, 1611 Glass, painted
Das Glasgemälde hat zwei kleine Flickstücke und eine neue Verbleiung.

Roundel with coat of arms for Joachim Im Thurn (1545 – 1596)
Unknown; after Daniel Lang (1543–after 1602), um 1900 Glass, painted
The donor of the panel was originally Joachim Im Thurn (1545–1596).

Runde Allianzwappenscheibe Joachim Peyer mit den Wecken und Susanna Ziegler — Roundel with coats of arms for Joachim Peyer mit den Wecken (1609 – 1635) and Susanna Ziegler (died 1677)
Unknown, um 1900 Glass, painted

Miniatur, Dr. med. Johann Conrad Peyer (1653 – 1712) — Portrait miniature of Dr. med. Johann Conrad Peyer (1653 – 1712)
Unknown / Johann Friedrich Peyer (1697–1759), ascribed, um 1700 Tortoiseshell, Metal, Brass, painted

Waffle iron with the coat of arms for Baumann-Peyer
Unknown, 1576 - 1600 Iron

Hausse-Col — Gorget or Hausse-col
Unknown, 17. Jahrhundert Metal, Copper, gilded
The embossing on the collar shows two winged masks looking down at a battle scene of mounted soldiers. A similar gorget can be found in the famous family portrait of Hans Friedrich Peyer in the Thurn, painted by Conrad Meyer in 1653. It is on display in room 104 of the Museum zu Allerheiligen's permanent exhibition.

Silberfiligran - Anhänger mit Allianzwappen Ziegler - Peyer — Silver filigree pendant with the coat of arms for Ziegler - Peyer
Unknown, 2. Hälfte 17. Jahrhundert Metal, Silver, enamelled

Leinenstickerei mit Allianzwappen Peyer - Ziegler und Jagdszenen — Linen embroidery with coat of arms for Peyer - Ziegler and a hunting scene
Unknown, 1572 White and blue thread on white linen, embroidered

Wollstickerei (Wandbehang) mit Allianzwappen Peyer - Peyer im Hof und Szenen aus der Tobias-Geschichte — Wool embroidery (Wall hanging) with coats of arms for Peyer - Peyer im Hof and scenes from the Tobias story
Unknown, nach 1593 / um 1612 Wool, Metal threads, Pearls, Human hair, embroidered

Leinenstickerei mit Allianzwappen Ab Egg-Wepfer — Linen embroidery with coat of arms for Egg-wipfer
Unknown, 1607 White and brown thread on white linen, embroidered

Leinenstickarbeit mit Allianzwappen Peyer - Peyer im Hof und Personifikationen der Vier Jahreszeiten — Linen embroidery with coat of arms for Peyer - Peyer im Hof and personification of the four seasons
Unknown, 1608 Coloured linen thread on beige linen, Bobbin lace, Silk thread, stitched
The production and use of linen and wool embroidery was very popular in Schaffhausen in the 16th and 17th centuries.

The Stimmer Stiftung owns four such works from its own family collection. The wall hanging with the personifications of the four seasons comes from the household goods of Hans Conrad Peyer (1569-1623) and Elisabeth Peyer im Hof

Wollstickerei mit Blumenranken und Allianzwappen von Waldkirch-Im Thurn — Wool embroidery with tendrils of flowers and Waldkirch-Im Thurn coat of arms
Unknown, 1622 Coloured wools on dark brown wool cloth, embroidered

Wollstickerei mit Allianzwappen Peyer - Peyer im Hof — Wool embroidery with the coat of arms for Peyer - Peyer im Hof
Unknown, 1638 Coloured wools on dark brown wool cloth, embroidered

Leinenstickerei mit gesticktem Tierdekor und Wappenallianz Felix Ramsauer — Linen embroidery with stitched animals and coat of arms for Felix Ramsauer (born 1550) and Katharina Peyer (born 1546)
Unknown, 1592

Impression from baking mould: for Joachim Peyer and Susanna Ziegler
Unknown, 18. Jahrhundert Clay, baked, glazed
This bakiing mould is an impression of the baking mould for Joachim Peyer und Susanna Ziegler in 1632.

Impression of the baking mould for Joachim Peyer and Susanna Ziegler
Unknown, 17. Jahrhundert (nach 1632) Clay, baked, glazed
This baking mould is an impression of the original for Joachim Peyer und Susanna Ziegler von 1632.

Impression of the baking mould for Joachim Peyer and Susanna Ziegler
Unknown, 1851 Clay, baked, painted
This baking mould is an impression of the original for Joachim Peyer und Susanna Ziegler von 1632.

Holzmodel: Adam und Eva — Wooden cake or biscuit mould of Adam and Eve
Unknown, um 1600 Wooden
Clay or wooden baking moulds were part of the inventory of wealthy households. They were used to form reliefs on pastry dough, marzipan or confectionery (tragacanth). The representations created by experienced shape cutters document the variety of motifs that were once used on baked goods. Dramatic stories like the Fall of Man were particularly popular.

Fassbodenwappen Peyer mit den Wecken - Forrer — Wine barrel marking with coat of arms for Peyer mit den Wecken - Forrer
Unknown, um 1707 Wooden, Leather, carved

Fassbodenwappen Stockar-Peyer mit den Wecken — Wine barrel sign with coat of arms for Peyer mit den Wecken - Stokar
Unknown, 1732 Wooden, carved

Armbrust mit Bolzen und Winde — Crossbow with bolt and winch
Unknown, 16. Jahrhundert Steel, Hemp, Wooden, Bone or ivory

Kanone auf Lafette und Protze — Mounted cannon with four wheeled caisson or 'limber'
Unknown, 1636 Bronze, Iron, Wooden

Pistolenpaar — Pair of pistols
Unknown, um 1760 Metal

Wismutkästchen der Anastsia Peyer — Bismuth chest for Anastasia Peyer (1604 – 1627)
Unknown c.1620+, 1620 Wooden, Leather, Beech wood, painted
Probably for cosmetic use eg eye shadow

Overdoor with the coats of arms of Schaffhausen justices
Unknown, 1621 Tempera on wood panel

Glockenkanne — Tin-glazed screw top bottle with the coat of arms for Peyer / Im Thurn
Unknown, 2. Hälfte 17. Jahrhundert Clay, Ceramic, glazed, baked

Fayence-Schale mit Allianzwappen Peyer-Im Thurn — Tin-glazed earthenware dish with the Peyer-Im Thurn coat of arms
Unknown, 1650 - 1700 Clay, Ceramic, baked, painted

Four-fold screen
Unkknown, vermutlich18. Jahrhundert Wooden, Leather, Fir, painted

Kinderschlitten — Child's sleigh
Unknown, 2. Hälfte 19. Jahrhundert Wooden, Leather, painted

BIBLIA || SACRA || VETERIS || ET NOVI || Testamenti, || secundum editionem
Unknown, 1578
Vollständiger Titel: || vulgatam. || BASILEAE, M.D.Lxxviii. || (EXCVDEBAT THOMAS GVARI/ || NVS ... ||)