- Läublin II., Hans Jacob [Jakob]
- Murer, Josias
- Ammann, Johann Conrad
- Ammann, Hans Heinrich
- Ammann, Christoph
- Amsler, Richard
- Asper, Hans
- Beham, Bartel
- Bluntschli, Niklaus
- Bosshard und Sohn, -
- Brun, Lienhard
- Cranach der Ältere, Lucas
- Erhart, Gregor
- Eriskirch, Meister von
- Erlinger, Georg
- Fischart, Johann
- Frischlin, Nicodemus
- Hans Conrad, Flach
- Holbein, Ambrosius
- Holtzwart, Matthäus
- Howes, John
- Hurter, Johann Heinrich
- Häfelin, Emil
- Hünerwadel, Jérôme
- Kübler, Werner der Jüngere
- Lang, Hieronymus der Ältere
- Lang, Hans Caspar der Ältere
- Lang, Daniel
- Lindtmayer, Felix der Jüngere
- Lindtmayer, Daniel der Jüngere
- Meyer, Conrad
- Moser, Andreas
- Müller, Theobald
- Oschwald, Hans Georg
- Ott, Hans Georg I.
- Panvinio, Onofrio
- Peyer, Hans
- Peyer, Johann Ludwig
- Peyer, Johann Jakob
- Peyer, Johann Friedrich
- Pfau, Hans Heinrich III.
- Pröll, Thomas
- Reusner, Nikolaus
- Schnetzler, Johann Ulrich
- Schärer, Johann Jacob
- Seiler, Dietegen
- Speissegger, Hans Heinrich
- Spleiss, Hans Martin
- Stalder, Ulrich
- Stimmer, Tobias
- Stimmer, Gideon
- Stimmer, Abel
- Strigel, Bernhard
- Stüdlin, Hans Caspar
- Ulmer, Johann Conrad
- Ulmer, Hans Ulrich
- Umkreis von Stimmer, Tobias
- Unbekannt
- Veith, Johann Martin
- Wüscher, Hans Adam I.
- de Savoye, Daniel
Daniel Lindtmayer the younger
In addition to his training as a glass painter, Daniel Lindtmayer completed an apprenticeship as a painter between 1566 and 1570, probably with Tobias or Abel Stimmer in Schaffhausen. After a few years as a journeyman, he settled in Schaffhausen, but travelled also in Graubünden and in central Switzerland - e.g. with Franz Fallenter. Only preliminary drawings for woodcuts have survived of the biblical .scenes and landscapes for wall paintings commissioned at the house "Zun Drei Standen" for the Schaffhausen town clerk Hans Forrer. His last dated sketch dates from 1603. His oeuvre known today includes around 350 drawings, including designs for facade and wall paintings, sketches for glass panels and woodcuts, as well as four etchings and a few paintings.
Portrait of David Peyer
Daniel Lindtmayer the younger (1552–1603/1607), attributed 1588, 1588 Tempera and oil on wood panelThe portrait of the merchant and judge David Peyer is the only one of five permanent loans from the Peyer Legate that survived the bombing of Schaffhausen on April 1, 1944, badly damaged. It was extensively restored in 1948 and 1978 and in some cases heavily retouched, which is particularly evident in the different appearance of the paint on the face.