- Läublin II., Hans Jacob [Jakob]
- Murer, Josias
- Ammann, Johann Conrad
- Ammann, Hans Heinrich
- Ammann, Christoph
- Amsler, Richard
- Asper, Hans
- Beham, Bartel
- Bluntschli, Niklaus
- Bosshard und Sohn, -
- Brun, Lienhard
- Cranach der Ältere, Lucas
- Erhart, Gregor
- Eriskirch, Meister von
- Erlinger, Georg
- Fischart, Johann
- Frischlin, Nicodemus
- Hans Conrad, Flach
- Holbein, Ambrosius
- Holtzwart, Matthäus
- Howes, John
- Hurter, Johann Heinrich
- Häfelin, Emil
- Hünerwadel, Jérôme
- Kübler, Werner der Jüngere
- Lang, Hieronymus der Ältere
- Lang, Hans Caspar der Ältere
- Lang, Daniel
- Lindtmayer, Felix der Jüngere
- Lindtmayer, Daniel der Jüngere
- Meyer, Conrad
- Moser, Andreas
- Müller, Theobald
- Oschwald, Hans Georg
- Ott, Hans Georg I.
- Panvinio, Onofrio
- Peyer, Hans
- Peyer, Johann Ludwig
- Peyer, Johann Jakob
- Peyer, Johann Friedrich
- Pfau, Hans Heinrich III.
- Pröll, Thomas
- Reusner, Nikolaus
- Schnetzler, Johann Ulrich
- Schärer, Johann Jacob
- Seiler, Dietegen
- Speissegger, Hans Heinrich
- Spleiss, Hans Martin
- Stalder, Ulrich
- Stimmer, Tobias
- Stimmer, Gideon
- Stimmer, Abel
- Strigel, Bernhard
- Stüdlin, Hans Caspar
- Ulmer, Johann Conrad
- Ulmer, Hans Ulrich
- Umkreis von Stimmer, Tobias
- Unbekannt
- Veith, Johann Martin
- Wüscher, Hans Adam I.
- de Savoye, Daniel
Tobias Stimmer
Four of Tobias Stimmer’s ten siblings were independent artists: Abel (1542–1606) painter and etcher, Gideon (1545–1578) painter and designer for glass painting, Hans Christoffel (1549–1578) formschneider (english = letter-cutter or Printmaker?) and Josias (1544–after 1574) painter . Tobias is the most important of them and one of the outstanding representatives of Mannerism in southern Germany. Trained probably with the Zurich painter Hans Asper. From 1568, illustrations commissioned by Basel and Strasbourg publishers, in the same year facade paintings on the «zum Ritter» house in Schaffhausen (for Hans von Waldkirch). 1570 in Strassburg, where he also illustrated for Johann Fischart and Bernhard Jobin on a large scale. In 1576 the Basel publisher Thomas Guarin published a Bible illustrated by Stimmer. Commissioned by the mathematician and astronomer Conrad Dasypodius, Tobias Stimmer designed the case of the astronomical clock in Strasbourg Cathedral between 1571 and 1574, for which he also designed the figures. From 1576 to 1578, Stimmer painted thirteen allegorical figures on a hall ceiling in the New Castle in Baden-Baden for Margrave Philipp II, as well as various ancestor portraits.
Nativity
Tobias Stimmer (1539–1584) 1565, 1565 Ink wash on paperThis sheet is one of around a hundred surviving drawings by Stimmer. It testifies to his artistic mastery in dealing freely with a traditional subject. The rather perky depiction of the naked baby Jesus is original. This is touchingly human and biblical at the same time: The Son of God who became man is made real.
Circular design sketch depicting the Nativity and four coats of arms (Buggin[?], Irmensee, Mörikofer and unidentified)
Tobias Stimmer (1539–1584), um 1570 Ink wash on paperSelf-portrait
Tobias Stimmer (1539–1584), um 1563 Chalk, Ink and watercolour on paperIn 1991, after years of negotiation, the Stimmer Stiftung managed a coup with the purchase of this small watercolour drawing. Thus, was the Stiftung able to acquire one of the rare autograph works by Tobias Stimmer (which was also a self portrait). The self-confident expression of the young artist is unparalleled at a time when the individual and self-portraiture were becoming increasingly important.