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The PTSS collection

This website lists the works of art and objects of the Peyersche Tobias Stimmer-Stiftung (PTSS) of Schaffhausen. Most of the objects listed are on permanent loan to the Museum zu Allerheiligen or the Schaffhausen City Library.

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Aeneas und Anchises fliehen aus Troja (Kopie nach Federico Barocci) — Aeneas and Anchises fleeing from Troy (copy after Federico Barocci)
Johann Martin Veith (1650–1717), Anfang 18. Jh. Oil on canvas

Bildnis Johann Jakob Stokar — Portrait of Johann Jakob Stokar (1615 – 1681) at the age of 65
Unknown, nach 1681 Oil on canvas
Painting restored by Barbara Bührer, Neuhausen in 2009

D. Johannes Ammannus (Vater des Künstlers) "Ecclesiae Scaphusience Pastor Vigilantis" — D. Johannes Ammannus (father of the artist) "Ecclesiae Scaphusience Pastor Vigilantis"
Johann Conrad Ammann (1669–1724) 1751, vor 1751 Paper, Etching

Antistes Johann Georg Schalch (1609-1686), Schaffhausen, im Alter von 68 Jahren — Revd. Johann Georg Schalch (1609-1686), Schaffhausen, at age 68
Johann Jakob Peyer, artist/ Philipp Kilian (1628–1693), engraver, 1677 Paper, Etching

Pfarrer Johannes Kirchhofer aus Schaffhausen — Pastor Johannes Kirchhofer of Schaffhausen
Johann Jakob Schärer (1667–1736), um 1719 Paper, Etching

J. Rodolf Schmid (1590–1667). Baron de Schwarzhorn, Ambassadeur de L'Empéreur à la Porte Ottoman — J Rodolf Schmid (1590-1667). Baron de Schwarzhorn, Ambassador de L'Empereur à la Porte Ottoman
Unknown, nach 1667 Paper, Etching

Bildscheibe Alexander Peyer mit den Wecken (1562 – 1618) und Maria Oschwald — Pictorial panel (allegorical) for the marriage of Alexander Peyer mit den Wecken (1562 – 1618) and Maria Oschwald
Hans Caspar Lang the elder (1571 – 1645), attributed, 1606 Glass, painted
The panel has small replacements and new leading.

Glasgemälde Mondsichelmadonna — Panel of the Half-moon Madonna
Hieronymus Lang the elder (about 1520–1582), workshop, um 1560 – 1570 Glass, Pencil

Gemeindescheibe Unterhallau — Armorial panel for the Commune of Unterhallau
Felix Lindtmayer the younger (1524 – 1574), attributed, 1542 Glass, painted
The panel probably comes from the meeting room in Oberhallau. In 1935 it was restored by Emil Gerster, Basel.

Figurenscheibe Galle Jäger und Felix Lindtmayer der Jüngere — Armorial panel with the coats of arms for Galle Jäger and Felix Lindtmayer the younger
Felix Lindtmayer the younger (1524 – 1574), attributed, 1552 Glass, painted
The panel probably comes from the meeting room at Jestetten.

Bildscheibe von sechs (Künstler-) Gesellen — Pictorial panel for the six (artist) journeymen
Felix Lindtmayer the younger (1524 – 1574), attributed, 1568 Glass, painted
The panel has been re-leaded

Willkommscheibe mit unbekanntem Stifterpaar — Welcome panel from an unknown donor couple
Unknown, um 1550 Glass, painted
The donor's inscription is missing at the bottom of the panel. In addition, the glass painting has two small replacements and new leading.

Willkommscheibe Hans Hüsler (Hüster) und Frau — Welcome panel for Hans Hüsler (Hüster) and Frau
Unknown, 1561 Glass, painted
The panel has new leading

Standesscheibe Schaffhausen — Armorial panel for Schaffhausen
Unknown, 1567 Glass, painted
The panel has new leading

Stadtscheibe Diessenhofen — Armorial panel for the Town of Diessenhofen
Unknown (Schaffhauser), 1571 Glass, painted
The panel has replacements and new leading

Runde Figurenscheibe mit Allianzwappen Dietgen Ring von Wildebern — Roundel with the coats of arms for Dietegen Ringk von Wildenberg (1589 – 1618) and Magdalena Im Thurn
Unknown, 1611 Glass, painted
Das Glasgemälde hat zwei kleine Flickstücke und eine neue Verbleiung.

Venus erscheint Aeneas und Achates auf dem Weg nach Karthago — Venus appears to Aeneas and Achates on their way to Carthage
John Howes (before 1770–after 1793), 1775 Enamel painting on Copper , Metal, gilded

Portrait miniature of Carl Albrecht von Frisching (1734 – 1801)
Johann Heinrich Hurter (1734–1799), 1768 Copper enamel, Metal, gilded

Miniaturportrait mit dem Bildnis der Angelika Kauffmann (1741 – 1807) — Portrait miniature of Angelika Kauffmann (1741 – 1807)
Johann Heinrich Hurter (1734–1799), 1779 Enamel painting on Copper , Metal, Copper alloy, gilded
Among the miniatures in the Stimmer Stiftung are two works by the Schaffhausen artist Johann Heinrich Hurter. From 1777 he rose to become one of the most important miniature painters of the 18th century in London. Hurter copied the portrait of the well-known painter from a painting by Sir Joshua Reynolds (1723–1792).

Miniatur eines unbekannten Mannes mit Allonge-Perücke und Jabot — Portrait miniature of an unknown man with a long wig and jabot
Johann Friedrich Peyer (1697–1759), 1718 Metal, Sheet copper, painted

Miniatur mit Bildnis des Samuel Grynaeus — Portrait miniature of Samuel Grynaeus
Abel Stimmer (1542–after 1606) (?), 1569 Metal, Copper, painted
Abel was one of four brothers of Tobias Stimmer and worked part-time in his workshop. The two painted an audience chamber in the palace of the Margrave of Baden-Baden. The attribution of the miniature was based on stylistic comparisons with a portrait of Elisabeth Peyer in the collection of the Kunstmuseum Basel.

Glockenkanne — Glockenkanne (Swiss Bell Jug)
Andreas Moser (1768–1812), 1790 / 1812 Metal, Tin, cast, engraved

Glocke aus Schloss Haslach, gestiftet von Hans Jakob Peyer (gest. 1617) — Bell from Schloss Haslach , donated by Hans Jakob Peyer (d. 1617)
Ulrich Stalder, 1595 Bronze, cast

Hufeisen — Horseshoe with historical note about the Peyer family on cardboard insert
Hans Peyer (about 1410–1478), um 1450 Pen on card, Iron, forged
The horseshoe of the founder of the Peyer dynasty, Hans Peyer the Smith, who died in 1478, is regarded as an important family memento . The card on the back carries on it comments about the history of the Peyer family and probably dates from the 17th or 18th century. The object was entrusted to the museum for safekeeping in 2003.

Waffle iron with the coat of arms for Baumann-Peyer
Unknown, 1576 - 1600 Iron

Hausse-Col — Gorget or Hausse-col
Unknown, 17. Jahrhundert Metal, Copper, gilded
The embossing on the collar shows two winged masks looking down at a battle scene of mounted soldiers. A similar gorget can be found in the famous family portrait of Hans Friedrich Peyer in the Thurn, painted by Conrad Meyer in 1653. It is on display in room 104 of the Museum zu Allerheiligen's permanent exhibition.

Silberfiligran - Anhänger mit Allianzwappen Ziegler - Peyer — Silver filigree pendant with the coat of arms for Ziegler - Peyer
Unknown, 2. Hälfte 17. Jahrhundert Metal, Silver, enamelled

Breitrandplatte mit Pfauen-Darstellung — Wide rimmed pewter dish with Peacock engraving
Hans Adam I. Wüscher (1653–1707), 1670 - 1707 Metal, Tin, engraved

Leinenstickerei mit Allianzwappen Peyer - Ziegler und Jagdszenen — Linen embroidery with coat of arms for Peyer - Ziegler and a hunting scene
Unknown, 1572 White and blue thread on white linen, embroidered

Wollstickerei (Wandbehang) mit Allianzwappen Peyer - Peyer im Hof und Szenen aus der Tobias-Geschichte — Wool embroidery (Wall hanging) with coats of arms for Peyer - Peyer im Hof and scenes from the Tobias story
Unknown, nach 1593 / um 1612 Wool, Metal threads, Pearls, Human hair, embroidered

Leinenstickerei mit Allianzwappen Ab Egg-Wepfer — Linen embroidery with coat of arms for Egg-wipfer
Unknown, 1607 White and brown thread on white linen, embroidered

Leinenstickarbeit mit Allianzwappen Peyer - Peyer im Hof und Personifikationen der Vier Jahreszeiten — Linen embroidery with coat of arms for Peyer - Peyer im Hof and personification of the four seasons
Unknown, 1608 Coloured linen thread on beige linen, Bobbin lace, Silk thread, stitched
The production and use of linen and wool embroidery was very popular in Schaffhausen in the 16th and 17th centuries.

The Stimmer Stiftung owns four such works from its own family collection. The wall hanging with the personifications of the four seasons comes from the household goods of Hans Conrad Peyer (1569-1623) and Elisabeth Peyer im Hof

Wollstickerei mit Blumenranken und Allianzwappen von Waldkirch-Im Thurn — Wool embroidery with tendrils of flowers and Waldkirch-Im Thurn coat of arms
Unknown, 1622 Coloured wools on dark brown wool cloth, embroidered

Wollstickerei mit Allianzwappen Peyer - Peyer im Hof — Wool embroidery with the coat of arms for Peyer - Peyer im Hof
Unknown, 1638 Coloured wools on dark brown wool cloth, embroidered

Leinenstickerei mit gesticktem Tierdekor und Wappenallianz Felix Ramsauer — Linen embroidery with stitched animals and coat of arms for Felix Ramsauer (born 1550) and Katharina Peyer (born 1546)
Unknown, 1592

Wooden biscuit or cake mould: Coat of arms for Joachim Peyer and Susanna Ziegler
Hans Heinrich Ammann (1607–1699), 1632 Wooden, Leather, Pear wood, carved

Baked clay biscuit or clay mould
Hans Caspar Stüdlin (?), 1670 - 1700 Clay, impressed

Impression from baking mould: for Joachim Peyer and Susanna Ziegler
Unknown, 18. Jahrhundert Clay, baked, glazed
This bakiing mould is an impression of the baking mould for Joachim Peyer und Susanna Ziegler in 1632.

Impression of the baking mould for Joachim Peyer and Susanna Ziegler
Unknown, 17. Jahrhundert (nach 1632) Clay, baked, glazed
This baking mould is an impression of the original for Joachim Peyer und Susanna Ziegler von 1632.

Impression of the baking mould for Joachim Peyer and Susanna Ziegler
Unknown, 1851 Clay, baked, painted
This baking mould is an impression of the original for Joachim Peyer und Susanna Ziegler von 1632.

Holzmodel: Adam und Eva — Wooden cake or biscuit mould of Adam and Eve
Unknown, um 1600 Wooden
Clay or wooden baking moulds were part of the inventory of wealthy households. They were used to form reliefs on pastry dough, marzipan or confectionery (tragacanth). The representations created by experienced shape cutters document the variety of motifs that were once used on baked goods. Dramatic stories like the Fall of Man were particularly popular.

Fassbodenwappen Peyer mit den Wecken - Forrer — Wine barrel marking with coat of arms for Peyer mit den Wecken - Forrer
Unknown, um 1707 Wooden, Leather, carved

Fassbodenwappen Stockar-Peyer mit den Wecken — Wine barrel sign with coat of arms for Peyer mit den Wecken - Stokar
Unknown, 1732 Wooden, carved

Armbrust mit Bolzen und Winde — Crossbow with bolt and winch
Unknown, 16. Jahrhundert Steel, Hemp, Wooden, Bone or ivory

Kanone auf Lafette und Protze — Mounted cannon with four wheeled caisson or 'limber'
Unknown, 1636 Bronze, Iron, Wooden

Pistolenpaar — Pair of pistols
Unknown, um 1760 Metal

Booklet: With astronomical and map observations
Georg Erlinger (um 1485–1542), 1516 Fibre, plant, Paper, printed

Plan des Rheinfalls und seiner Umgebungen — Plan of the Rheinfalls and its surroundings
Johann Ludwig Peyer (1780–1842), 1826 Fibre, plant, Paper, painted

Teller mit Wappen Kaspar Peyer zum Saffran — Tin-glazed earthenware plate with the coat of arms for Kaspar Peyer zum Saffran
Hans Heinrich III. Pfau (1642–1719), 1688 Ceramic, painted, glazed

Wismutkästchen der Anastsia Peyer — Bismuth chest for Anastasia Peyer (1604 – 1627)
Unknown c.1620+, 1620 Wooden, Leather, Beech wood, painted
Probably for cosmetic use eg eye shadow

Overdoor with the coats of arms of Schaffhausen justices
Unknown, 1621 Tempera on wood panel

Glockenkanne — Tin-glazed screw top bottle with the coat of arms for Peyer / Im Thurn
Unknown, 2. Hälfte 17. Jahrhundert Clay, Ceramic, glazed, baked

Fayence-Schale mit Allianzwappen Peyer-Im Thurn — Tin-glazed earthenware dish with the Peyer-Im Thurn coat of arms
Unknown, 1650 - 1700 Clay, Ceramic, baked, painted

Four-fold screen
Unkknown, vermutlich18. Jahrhundert Wooden, Leather, Fir, painted

Kinderschlitten — Child's sleigh
Unknown, 2. Hälfte 19. Jahrhundert Wooden, Leather, painted